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Rouf :-
This dance is almost steeped in antiquity. Rouf is always performed in the accompaniment of pleasant pathetic song. It is performed on all festive occasions and particularly on the evenings of Ramzan and IDD days. Group of women face each other and perform simple footwork which has a sensuous charm about it.

Hafiz Nagma :-

Hafiz Nagma is based on the classical music of Kashmir- the Sofiyiana Kalam. The Sufiyana Kalam has its own ragas known as Muquam. The prominent instrument used in Hafiz Nagma is called Santoor-a hundred stringed instrument played with sticks. The danseuse in this tradition is known as 'Hafiza'.


 


Song of Habba Khatoon :-

Habba Khatoon was the renowned princess of Kashmir. Her feelings during her separation form the Yousuf King is depicted in this song. The song is based on the folk renderings of kashmiri Music.


Jagarna :-
This marriage song cum-dance form has the elements of theatre. Whjile the menfolk of the bridegroom's house have gone with the Barat woment folk are left alone in the house. The bridegroom's mother, aunts, mgradmother and other relations indulge in gossips revelations of their marital life and the behaviour of their husbands. But sometimes, in right earnest, they reveal some intimate incidents and spend the night in the atmosphere which is un-interrupted by menfolk in ints flow of unending gossip and the movement of frolicking feet.




Surma :-
This song in Dogri, set to dance reveals the anguish of a newly married girl whose husband is away in the Army. The ever increasing yearning of re-union is depicted through this song-dance.


Bakhan :-
This folk song is a widely prevalent form of mass entertainment in our region. The haunting Melody of Pahari songs add to the beauty and joy of daily life.There are certain songs which are independent of instruments. "Bakhan" is such a best example. "Bakhan" are in verse. The metre is irregular and is determined by modulation in tone. The movemtn of hand indicates the variations in the note. This is the only form of lyric in Dgri which resembles the Western harmony of sounds without loosing its individual note and rhythem.


Geetru :-
A dance-song of Dogra Pahari region of Jammu being performed at the occasion of feasts, festivals and marriages by the rural folk parties of this region. Male and female both participate in this dance-song in their traditional costumes. This type of dance-song is performed at any time of the day as well as night.



Kashmir Music

Folk Music of Kashmir


Music adds to the attraction of the Kashmir valley for the tourists. The history and tradition of music and dance in Kashmir valley goes back to thousands years back. Given below


Are some main forms of the traditional music of Kashmir, along with some Kashmiri folk songs:

 
 

 

 


 

Chakri :-
Once performed with the help of only Garaha, Sarangi and Rabab, Chakri has included harmonium also in its presentation. It is one of the most popular forms of the traditional music of Kashmir.

Depicting the melodic tradition of folk music that evolved in the valley of Jammu & Kashmir many decades back, Chakri truly upholds the heritage of culture and arts in the place. The people of Jammu & Kashmir are quite popular for owing a multi-cultural past. Chakri is an excellent outcome of that very musical history of the valley.

 


 

The rhythmic accompaniments that are used while singing the folk song of Chakri include rabab, garaha and sarangi. Performed by the folk population of Jammu & Kashmir, Chakri is considered incomplete without the apt support of the musical instruments. Although a form of ancient folk category, Chakri has today went through some minor variations. For one, the advent of harmonium apart from the usual instruments is quite new. However, the basic theme and flavor of Chakri is still intact which shows the passion of Jammu & Kashmir culture enthusiasts.

 


 

The state of Jammu & Kashmir have been ruled by several Dynasties in the ancient ages. From Hindu Kings to Mughal Empires, Jammu & Kashmir has remained a vital ruling ground. Although the reigning era of those mighty Kings have ended long back, yet the evidences have remained on the land of Jammu & Kashmir in the form of cultural extravaganza. Chakri is a real symbol of that very essence of artistic genre of Jammu & Kashmir which once flourished amidst the verdant valleys.


Tourists who come from different parts of the world to explore the incredibly ecstatic splendors of Jammu & Kashmir often get mesmerized by the melodic aura created by Chakri.
 
 

 
 


 

Sufiana Music

Sofians musiqui (Sufi Music) owes its introduction in Kashmir to Iran. Introduced in the 15th century in the Kashmir valley, Sufiana music continues to enthrall its audience till date. With the passage of time, a number of Indian ragas were added to this music form. This classical music form of Kashmir makes the use of Santoor, Sitar, Kashmiri Saz, Wasool or Tabla.
 


 
Representing the rich musical heritage and cultural legacy of the state of Jammu and Kashmir, the enchanting Kashmiri Sufiyana Music adds to the glory and grandeur of the region. The origin of Sufi Music can be traced back to the ancient Iran where the music reached its peak during the 20th century. However, because of the unique combination of enchanting melody coupled with poetic wordings, Sufi music had spread to the region of Kashmir as well.


The beautiful Sufi music came to be known as the Kashmiri Sufiyana Music. An integral part of the rich cultural ancestry and religious legacy of the state of Jammu and Kashmir, Kashmiri Sufiyana music portrays the unlimited love of a devotee for the Supreme Being. Kashmiri Sufiyana Music boasts of an inherent divine element. Sung in praise of the Supreme Being, the enchanting melody of Kashmiri Sufiyana Music fills the devotees with an intense sense of devotion and dedication.

 


 

Accompanied with traditional folk musical instruments of Saze- Kashmir, Tabla, Kashmiri Sitar and Kashmiri Santoor, the singers of Kashmiri Sufiyana music sing with full devotion and enthusiasm which is reflected in their flawless performance. Composed of poetic expressions that show the divine love between the ardent devotee and the Supreme Being, Kashmiri Sufiyana Music enthralls and enchants the audience with its melodious music.

Kashmiri Sufiyana Music spreads happiness and fills the air with joy and mirth through its poetic wordings coupled with enchanting melodies. Upholding the traditional legacy of the state, Kashmiri Sufiyana Music displays the rich folk culture of Jammu and Kashmir.
 

 
 

 


 

Hafiz Nagma
A part of the classical Sufiana Music, Hafiz Nagma makes use of Santoor-a hundred stringed instrument played with sticks. In Hafiz Nagma, there is a female dancer, accompanied by a number of males with instruments. The dancer, known as Hafiza, moves her feet to the musical notes.

 


 

Kashmiri Santoor Music
The Kashmiri Santoor Music displays the rich musical heritage and traditional culture of the state. The classical music of Jammu and Kashmir, the melodious Kashmiri Santoor compositions enchants and enthralls the audience with its captivating songs. Accompanied with the traditional musical instrument of Santoor, the talented classical musicians display their exemplary artistic caliber.

One of the prominent performing arts of the state of Jammu and Kashmir, the Kashmiri Santoor Music portrays the unique musical culture of the state. The traditional musical instrument of Santoor is usually made out of walnut. However, the Kashmiri Santoor is rectangular in shape and has numerous strings attached to the musical instrument.

 


 

The Kashmiri Santoor music bears relics to the enrich heritage of classical music of the state. The enachanting melody of the traditional instrument of Santoor fills the audience with an intense sense of pleasure and satisfaction. Usually played on special festive occasions, the Kashmiri Santoor music displays the artistic inclination of the indigenous local inhabitants of the state.

Inherited from the glorious ancient era, the professional classical musicians and singers of the Kashmiri Santoor music has earned a name for themselve in the international arena as well. An integral part of the cultural past of the glorious ancient times, the composers and singers of Kashmiri Santoor music perform with full dedication which is reflected in their exemplary and flawless performance.


The enchanting melodious notes of Kashmiri Santoor music provide the audience a relief from the stress and strains of daily mundane life. The beautiful compositions of Kashmiri Santoor music portray the potentialities of the musicians of Jammu and Kashmir.

 
 

 

 


 

Masade songs
One of the prominent folk songs of Jammu and Kashmir, the enchanting melody of Masade reflects the rich musical heritage and ancestral legacy of the state. Endowed with a rich cultural heritage and traditional antecedents, the state of Jammu and Kashmir boasts of a wide variety of spectacular performing arts that is reflected in the unique dance styles, melodious folk songs and expressive dance dramas.

 


 

Masade is one such traditional folk song of Jammu and Kashmir that represents the artistic caliber of the singers. The uniqueness of the traditional folk song of Masade lies in the fact that the singers sing without the support of any musical instrument. The chorus folk song of Masade is performed by ten talented singers who sing with full enthusiasm and devotion that is reflected in their exemplary and flawless performance.

 


 

Composed by the indigenous local inhabitants of the state, the poetic wordings and enchanting musical melody of Masade fills the air with music, joy and enthusiasm. The traditional Masade song reflects the excellent command of the talented singers over music. Sung with dedication, Masade songs portray the beautiful voice quality of the talented singers.

An integral part of the social and cultural life of the native population of Jammu and Kashmir, Masade songs refresh and re energize the mind and body of the audience who are overwhelmed at the poetic expressions and enchanting music. Inspired from life, most of the people can relate to the expressive wordings of the traditional folk song of Masade.
 

 

 

 


 

Song of Habba Khatoon

Habba Khatoon was a princess of Kashmir. This song reflects her feelings at the time when she was separated from the Yousuf King.

 


 

Benthe

Regarded as one of the melodious variations of Jammu & Kashmir music, Benthe primarily owes its origin to the tribes of the valley. The Bakerwal and Gujjar tribal groups are known to have founded the lyrical tradition of Benthe. A group of people that commonly ranges form five to seven sing the benthe song in a chorus.
 


 

The music of Jammu & Kashmir has always been a subject of great interest and appeal. Having a rich and colorful heritage, the music of the valley has been from many tribal communities that are inhabiting the state from many centuries.

An apt representation of the varied music forms of Jammu & Kashmir, Benthe is performed during major occasions and also to celebrate any social ceremony. Although Benthe falls under the local music category of the valley, but while performing this form the participants are also found dancing with the matching tunes.
 

 
 

 


 

The Bakrewal and Gujjar tribal people have a long and glorious history which includes a very prominent name – Benthe. Being the aborigines of the state of Jammu & Kashmir, the tribes of the valley offer the pure essence of the artistic culture. Be it folk dance or be it folk music, the tribal zones of the state are rich with numerous nuances of expressive appeals.


Benthe is synonymous to that pulsating tradition of Jammu & Kashmir music which forms the core of cultural ecstasy of the place. Singing in chorus groups, the performers of Benthe, in a way, show the solidarity of the inhabitants of the valley.

Inspite of belonging to two different clans, both Gujjar and Bakrewal enjoy the essence of Benthe by putting best of their vocal performance.
 


 

Gwatri

One of the unique dance forms of the state, Gwatri reflects the rich cultural tradition and historical heritage of Jammu and Kashmir. Gwatri represents a harmonious blend of enchanting melodious music coupled with unique dance steps. Jammu and Kashmir is blessed with a plethora of splendid performing arts which is evident through the various dance forms, folk songs and dance dramas. Gwatri is one such exemplary traditional art form that bears relics to the rich folk culture of Jammu and Kashmir.
 


 

Inspired from real life situation, the local indigenous artists compose beautiful songs that reflect their artistic caliber. The poetical lyrics, enchanting melodies and expressive dance styles impart a unique character to the traditional folk art of Jammu and Kashmir. Upholding the rich musical heritage of the region, the enchanting songs fill the audience with intense pleasure and satisfaction.

 
 

 
 


 

The unique folk traditional art of Gwatri requires talented singers with excellent voice quality and dancers who are able to express the true meaning of the songs through their unique dance steps. An integral part of social and cultural life of the native population of Jammu and Kashmir, the beautiful combination of traditional folk songs accompanied with folk dance portrays the immense potentialities of the performers who perform with full enthusiasm and dedication.

 


 

The devotion of the artists towards the rich cultural heritage is reflected in their marvelous performance. A unique cultural trait of Jammu and Kashmir, Gwatri refreshes and re energizes the mind and soul of the audience who are overwhelmed at the beautiful amalgamation of enchanting melodious songs with expressive dance forms.

 


 

Bakhan

This folk song is a widely prevalent form of mass entertainment in our region. The haunting Melody of Pahari songs add to the beauty and joy of daily life.There are certain songs which are independent of instruments. "Bakhan" is such a best example. "Bakhan" are in verse. The metre is irregular and is determined by modulation in tone. The movemtn of hand indicates the variations in the note. This is the only form of lyric in Dgri which resembles the Western harmony of sounds without loosing its individual note and rhythem.
 


 

Geetru

A dance-song of Dogra Pahari region of Jammu being performed at the occasion of feasts, festivals and marriages by the rural folk parties of this region. Male and female both participate in this dance-song in their traditional costumes. This type of dance-song is performed at any time of the day as well as night.
 
 

 

 

 

 

Surma

Surma is a song in Dogri that reflects the agony of a newly married girl whose husband is away in the Army.

 


 

Wahid Jeelani, choreographer Shafi Muhammad Mir, Munir Ahmed Mir, Qaiser Nizami, Jameela Khan, Abdur Rashid Hafiz and Rahmatullah Khan are among the prominent singers of the day and have become household names - along with Shameem Dev Azad, Kailash Mehra and Ghulam Hassan Sufi, who emerged as music icons during the last three decades - with their extraordinary performances in traditional, contemporary and light classical music.


Mir Muneer & Mahmeet reciving Award From President of INDIA.